Reframing treats self-portraiture as a way to negotiate memory, anxiety, and the desire not to be forgotten. Moving between personal history and constructed image, the works use acts of framing and reframing to examine how identities, narratives, and legacies are produced over time.
Through a slippage between past and present, Reframing reflects on the instability of historical memory and how individuals try to shape how they might ultimately be remembered. The work treats self-representation not simply as documentation, but as a way to confront fears about disappearance, mortality, and obscurity while questioning how any legacy is constructed, preserved, and continually rewritten.
